#Erasmo Carlos Biografia Series Of Shows#
#Erasmo Carlos Biografia Full Of Fashionable#

Erasmo Carlos Biografia Full Of Fashionable

His light music, derived from British pop, and his (and Erasmo Carlos') lyrics (happy, humorous, full of fashionable youth slang, and naïve though unexpectedly sexual) were deeply contrasting to the more serious MPB, with its somber images and protest songs. He was the host of the TV show that became a generic denomination of a musical style and what was a definitive change of face to the Brazilian phonographic market and of the very art of marketing itself (with the advent of an aggressive merchandising of the Jovem Guarda's top figures, including films, clothes, and more), encompassing deep behavioral/gestural/language influences widespread through his entire generation. Carlos was the leader of the country's Jovem Guarda. His initial success coincided with the emergent youth movement in pop (started by the Beatles) that took over the world. Still active and successful in the 21st century, he initiated a major revolution in Brazilian music during the 1960s thanks to his fusion of Anglo-styled pop and rock and the second wave of Brazilian samba.

At nine, he debuted on his home city's local radio. At six, he lost one of his legs and began using a prosthesis. ¡Descubre en Shazam los mejores v&237 deos y listas de reproducci&243 n de tus artistas favoritosRoberto Carlos was from a lower-middle-class family. Nevertheless, the mid-'90s witnessed a resurgence of Jovem Guarda talents through tributes by new rockers, and Carlos reached the 21st century uncontestedly enjoying his absolute title: the King.Encuentra la letra de las canciones m&225 s populares de Erasmo Carlos. Though the adherence to a worn-out sentimental formula proved to be effective in commercial terms, it ultimately led him to be known, in the '80s and '90s, as a cheesy artist by youngsters and a portion of adult listeners. Having written (always with Erasmo Carlos) some of the most beautiful songs in this style (such as 'Detalhes,' 'Sua Estupidez,' 'Jesus Cristo,' and 'Debaixo dos Caracóis dos Seus Cabelos'), Carlos accumulated virtually all possible accomplishments as a highly successful artist, including a solid international career with awards like the Grammy and top positions on Billboard's Latin charts.

At the same time, Carlos would participate regularly in shows presented by Imperial, Os Brotos Comandam (TV Continental and Rádio Guanabara) and Festa de Brotos (TV Tupi). In August 1960, a new release was launched, again in the bossa vein, 'Brotinho Sem Juízo' and 'Canção do Amor Nenhum' (again, both by Imperial). A testimony of his ephemeral and unaccomplished bossa nova phase is Carlos' first album, with 'João e Maria' and 'Fora do Tom' (both by Imperial).

It was planned to also be distributed in Brazil, but as the military government considered anything in Spanish (the language of Fidel Castro and Che Guevara) dangerous to the country, the album was simply taken out of the catalog by the recording company.In 1965, Carlos was elected the King for the first time by direct vote of the audience in a contest promoted by Antônio Aguillar on his Reino da Juventude show. That year, Carlos recorded the same repertory in Spanish, also backed by the Youngsters, and the album Es Prohibido Fumar was released by the end of 1964 in Argentina. Nevertheless, Carlos' nationwide success was ascending, with more and more invitations for TV and radio shows and CBS wanting to take him to Argentina. It sold 7,500 copies, a modest amount today, but it represented a considerable amount then and the milestone of a new time.In 1964, the LP É Proibido Fumar (backed by the Youngsters) had hits with the title track (by Carlos/ Erasmo) and with Erasmo's version of 'Road Hog,' 'O Calhambeque.' It sold almost 12,000 copies in 18 months and was considered high-selling then, but still behind the leader Carlos Alberto (a bolero singer), who was selling more than twice as much. The duo's first hit was Carlos' rendition for an Erasmo version of 'Splish Splash' ( Bobby Darin), having as the B-side another classic written by them, 'Parei na Contramão.' The album was recorded and launched in 1963 as Carlos' fifth 78-rpm record, accompanied by Renato e Seus Blue Caps.

In fact, he would only have an album at number one of the hit parade by the end of the year, with his next LP. Carlos' album reached fifth place according to IBOPE (a most-accredited public opinion research institute) however, it quickly fell several positions. In the same year, Roberto Carlos Canta Para a Juventude broke all records established by the singer until then, by far surpassing Carlos Alberto and his Amor Perdido.

Carlos' double single with 'A Garota do Baile' reached number two in November, behind the Beatles' 'Help!' But his album Jovem Guarda, also launched in November, took only one week to push 'Help!' out of number one on the Brazilian charts, selling almost 200,000 copies in one year. Scoring hits in Argentina and Brazil, Carlos became the best-seller for CBS. After the show's debut, Carlos' popularity reached levels unimagined until then. The show gave the name and directives to the first musical scene produced especially for Brazilian youth, representing a major cultural/behavioral/commercial breakthrough.

Erasmo Carlos Biografia Series Of Shows

In June of the same year, Carlos departed for a series of shows in Europe, Africa, Asia, and the U.S. Also in 1967, Carlos starred the feature film Roberto Carlos em Ritmo de Aventura (whose soundtrack sold 300,000 copies, staying at number one from December 17 until June 1968 the film also broke all box office records until then) won fifth place at the III FMPB (Festival of Brazilian Popular Music of the TV Record, São Paulo) with 'Maria, Carnaval e Cinzas,' by Luís Carlos Paraná (reaching number one as a single in November) participated in the MIDEM Festival in Cannes, France and won the Chico Viola trophy for the songs 'Quero Que Vá Tudo pro Inferno' and 'Esqueça' and for the LP Jovem Guarda. Roberto Carlos, released in December 1966, went right to number one in the second week (remaining there until April 1967), and sold 300,000 copies in less than a year. After performing in Argentina, Uruguay, and Paraguay - countries in which the Spanish version of 'O Calhambeque' continued to have success - Carlos went to Europe in April 1966, singing in Portugal (where 'Calhambeque' and 'Quero Que Vá Tudo Pro Inferno' were in first place on Lisbon charts).Returning to Brazil, he soon departed for a tour that started in South America, then Central and North America, where he sang in Los Angeles, Miami, and New York, then Europe (London, Paris, Berlin, and Lisbon).